More Job Application Screw-Ups and a Clever Tie-In to Exterior Primer

"Peel" by Will Keightley is licensed under CC BY 2.0

“Peel” by Will Keightley is licensed under CC BY 2.0

Yesterday, I wrote about getting off on the right foot–you know, starting well.  Because really, that’s one of the most critical things in life isn’t it?  Starting well?  If you start poorly in any endeavor, chances are you’re not going to bring it around and end up with great results.  It’s just one of those rules of life:  we need to make good first impressions, we need to get off to a good start . . . we need to start on the right foot . . . or we’re not going to go very far.

And let me prove it.  See, I’m going to breeze through a few real-life lines from some job applications and you decide if these people went terribly far after making this kind of first impression.

OK, first off, here’s a lady who wrote, in the SKILLS section of her job application, that, and I quote, “My twin sister has an accounting degree.”  End quote.  Yeah. Her TWIN sister.  Not just a little sister or an older sister.  It’s her TWIN.  And we all know how twins are supernaturally or magically or whatever bonded to each other, right?  I mean really, there are those stories about twins raised in different homes with no knowledge of each other who end up marrying similar people and naming their children the exact same names.  So, having a twin sister with an accounting degree is just like having one yourself.  I mean, it’s almost a scientifically proven fact.

Or, what do you think about the first impression this guy made when he wrote in the section called “negative traits”, and I quote “I am very bad about time and don’t mind admitting it. Having to arrive at a certain hour doesn’t make sense to me. What does make sense is that I do the job. Any company that insists upon rigid time schedules will find me a nightmare.”  Yeah, I know if I were looking for help, he’d be on my “must-call” list.  Because I like his gritty honesty.  And his carefree, artist’s disposition.

Anyway, life’s all about first impressions, right?  And neither of those folks made terribly good ones.  Yeah, life’s all about starting well.  And the reason is simple:  it’s tough to finish well if you don’t start well.

And that applies to everything from job applications to dating relationships to job interviews to home improvement projects.  Starting well can make all the difference in the long-run.

Now yesterday, we talked about specific stain-blocking primers that should be used in some cases.  How certain jobs you might tackle might need one of these specialty primers to ensure long-lasting results–like we said, it’s all about starting well.  Start well and you won’t struggle with your project.  Start poorly and you’ll have a mess.

Today we’re going to talk about another scenario when primers make good sense:  exterior wood surfaces.  Now, if these are stainable woods . . . that’s another topic for another day.  What I’m talking about here are the exterior woods that you would typically paint.

And right now, as I mentioned yesterday, there’s ad on TV that claims you can basically quit using primers as long as you buy this apparently new and amazing paint product.  However, there are a couple things to note here.  First off, it’s not a new product or new technology–it’s been around for years–it’s just good marketing that’s making it seem new and exciting.  Secondly, remember that those ads are 30 second spots.  You can’t say everything you should say in a 30 second spot.  Sure, there are times when primers can be skipped–and I’ve got products at RepcoLite that you can use just like that apparently new and amazing paint we see on TV.  However, there are times when you can’t skip them–or at least you shouldn’t–not if you want to get your project started on the right foot.

And one of those times when primers really pay for themselves in the long run is when you’re painting bare exterior wood.  A high quality latex paint over top of bare wood–with no primer–may lay on nicely and look great.  But the problem is that it really can’t penetrate into the wood–it’s latex and that’s just not how latex products work.  It’ll sit on the surface.  Before long, the moisture that penetrates the wood from rain or even dampness in the air, will start to cause that paint to chip and peel.  And once that starts, you’ll have a mess.

But, if you prime that wood with a high-quality oil based product, you’ll have much less failure. Primers are specifically MADE for these situations.  They have characteristics that are DIFFERENT from paint–think about that for a minute.  Primers are fundamentally different in make up from paint for a reason–they have a different job to do.  Primers act as an intermediary between the wood and the topcoat.  Primers will seal, hide and bind wood fibers to make the surface more uniform.  And this allows the paint to adhere better.  A quality primer will also improve your paint’s ability to resist surface moisture.  As a result, you’ll have less peeling, less mess, longer lasting results and a better, happier ending.

So take a lesson from those folks we talked about earlier.  Remember to get off on the right foot–no matter what it is you’re doing:  meeting someone new, interviewing for a job, or painting your exterior trim.  Get off on the right foot and you’ll end up happy at the finish line.

I Enjoy Long Walks, Donating Blood and Stain-Blocking Primers

bigstock-closeup-of-a-blood-bag-with-a--92288108_smallerThere’s nothing more important at the beginning of a relationship–whether it’s a personal relationship or a professional one–whether it’s a girl you’re meeting for the first time . . . or a potential employer your interviewing with, or even a resume your creating, or a job application you’re filling out–nothing’s more important at the start of any potential relationship than making a good first impression–you know, getting off on the right foot.

And yet, even though it’s absolutely critical to start well . . . so many times we bomb out.  So many times, we just say the wrong things . . . we do the wrong things . . . we write the wrong things.  For example, I found a number of true, real-life mistakes people actually wrote down on their  job applications.

Yeah, under the category of personal interests . . . on a job application . . . somebody wrote:  “I enjoy donating blood and have managed 14 Gallons so far.”  You probably like long walks on the beach and long, meaningful conversations, too.  I mean really, who writes that down?  It’s creepy?  14 gallons of blood.  So far?  I mean, I guess that implies real commitment . . . but think about it . . . he never says it’s his own blood he’s donating . . . .   Makes you wonder.

Or, there are these–under the category of REASONS I LEFT MY LAST JOB:  Number 1:  “I left my last job because the company made me a scapegoat – just like my three previous employers.”  Yeah . . . no deep-rooted issues bubbling just under the surface there . . . .

Or, number 2:  “I left my last job because they insisted that all employees get to work by 8:45 every morning and I couldn’t work under those conditions.”  Yes, those 8:45 am start-times are grueling.  I suppose you probably had to limit yourself to 1 hour lunches, too?

Or there’s this one:  Number 3:  “I left my last job because responsibility makes me nervous.”   Again, who writes stuff like that down?  And really, what job doesn’t involve at least some responsibility?  What employer would advertise:  Great starting pay, great benefits and best of all . . . job requires no responsibility at all.  Heck, you don’t even need to wear pants most of the time if you don’t want to?”  Yeah . . . every job requires at least some responsibility . . . and even if there is one out there that doesn’t, chances are no employer likes to think of it that way.

Anyway, I could go on and on–and I will in another post because these are so good–but the point I want to make today is that none of these people made a good first impression.  They didn’t get off on the right foot.  They crashed and burned right out of the gates.  They never got running . . . they never had the chance to  hit their stride . . . .  They tripped over their shoelaces the minute the race started and that was it.  They were out.  The guy giving all the blood probably never got to an interview . . . at least not with the employers, maybe with the police . . . but certainly not for the job he was hoping for.

Anyway, starting on the right foot is critical to success.  Absolutely critical.  And it’s not just that way in the search for a job . . . it’s also that way in pretty much anything else we do.  And since my line of work involves paint . . . I’ll apply it to that.

See, one of the big things right now sweeping through the paint world . . . thanks to some very effective ads . . . is the notion that you don’t need primer anymore.  Just go out and buy that special paint that primes and paints all in one and you can skip a whole step.

Yeah, it sounds great . . . and, in some cases, it’s true–though we’ll talk more about that another time.  But in other cases, if you follow their advice and skip the primer, you’re going to find yourself getting off on the same wrong foot that all those people we just talked about did.  You’re project will crash and burn before you even got into your stride.

See, there are certain situations that NEED a primer.  One of those–today’s focus–involves stains that might be on your walls.  And these stains could be anything from ink to markers, to crayons to grease.  Or, maybe they’re stains where water leaked in once–you know those brown, yellow rings–or maybe it’s a smoke stain.   And, honestly, the stains don’t have to be visible.  It could be that your walls stink.  Literally.  Charred wood, kitchen odors, even the overpowering smell from years of cigarette smoking.

All of those stains–in fact, most stains on your walls–are water-based or water-soluble stains.  If you topcoat them with a water-based paint or primer . . . that stain–or the stink–that stain is going to bleed right through.  It may take a few days, a few months, or it could happen within a few minutes, but however long it takes, those stains will bleed through.

In order to prevent that from happening, you need to make sure you use a very specific stain-blocking primer.  We’ve got a couple different ones at RepcoLite that will seal these trouble spots in with one coat.  Remember that.  If you’re trying to coat over any unusual stain or mark or smell . . . stop in at RepcoLite and explain to us what you’re seeing.  Don’t screw up your project right from the beginning.  Avoid the mistakes and start strong.  And seriously . . . watch out for that 14 gallon blood donor guy . . . he’s probably really pale and tired . . . but he may be dangerous.

Paint Lessons from the Leaning Tower of Pisa

"The Leaning Tower of Pisa" by McPig

“The Leaning Tower of Pisa” by McPig is licensed under CC BY 2.0

I’m sure most of you have heard of the Leaning Tower of Pisa . . . you know that tower, in Italy?  That leans?  Yeah.  Anyway, I’m sure you’ve heard of that tower, but I dug into it a little bit recently and learned some things I didn’t know . . . things that are, in the end, extremely paint-related!

Originally, the tower was built in 1173 and was supposed to be a work of art.  That’s important to remember.  It was meant to be something people marveled at–something stunning, astonishing, breath-taking.  It was art!

With that goal in mind, construction continued for the first 5 years, until it halted in 1178, after completion of the third floor.  It was at this time, during this pause in the construction, that the tower started to sink.  Now, we’ve all heard in elementary school about the reason for the sinking:  the tower was built with a thinner than usual foundation that was set in a weaker than normal substrate.  Basically . . . it’s that classic object lesson about how a poor beginning will produce sketchy results.  (You can almost smell the paint-related info!)

However, there’s more to the story–nothing groundbreaking–but something I didn’t know until recently.  See, after the tower started to sink, construction was halted–mainly because wars kept breaking out.  But after all the fighting was finally over, construction again resumed in 1272–nearly 100 years after the first three floors had been built.

When engineers started this continuation of the construction process, they analyzed the situation and came up with a solution:  to compensate for the tilt, they would build the new floors with one side lower than the other.  I never knew this, but it’s true.  If you look at the tower, you can see that it’s actually curved.  It leans to one side and then kind of starts to curve back the other way because of the goofball construction techniques.  In the end, this didn’t fix the problem entirely but it helped.

The tower existed like that for another chunk of time and then, in the 1990’s, another attempt was made to fix it.  Cables were attached to strengthen the tower and some excavation work was done to try to straighten it as much as possible.  This worked to some extent and the tower went from a 5.5 degree angle to a 3.9 degree tilt.

And that was about the best they could do.  Apparently, after that work was completed, engineers looked at it and determined that it’d last another couple hundred years or so.

Now, I bring all that up to build on the obvious point–and it’s something that’s definitely paint-related.  See, the obvious point is all about the foundation.  If the foundation’s bad, you’re going to have sketchy results.  Yeah, that’s the obvious point, but I thought the rest of that story was interesting because it continued to hammer home this point, expounding on it.  See, not only will you get sketchy results when you start with a poor foundation . . . but you’ll also find yourself doing all sorts of crazy stuff to get things back to good.

Think about it . . . the original designer of the tower would probably have been rolling in his grave if he knew that the people continuing his project were building floors with one side shorter than the other.  This was supposed to be a work of art–not something I built in my basement.  (And really, come over sometime–that’s how I build.  I start something and if it’s not level, I just make the next part a little crooked, too until everything kind of balances out in the end).

Now, I’m not saying the tower of Pisa isn’t cool–it is–and honestly, the leaning thing is really what makes it cool.  But that still doesn’t mean that it’s a great example of engineering.  It’s a mistake followed by a bunch of bizarre fixes that never really end up fixing the original problem.

And the reason they don’t fix the original problem . . . is that you can’t.  Not when your foundation is poor.

In construction and in painting and in most of life . . . the first steps you take in almost any project–the groundwork you lay–is going to determine the outcome.  If you start the project correctly, use the right tools and the right supplies and take the time necessary to do things the right way . . . your end results will look great.

If you take shortcuts, skip steps, don’t prime when you should or don’t sand or wash a wall down when it’s recommended . . . you’ll probably get your initial work done faster, but it won’t be long before things start to look shoddy.  Your work will start to lean, so to speak.  And when that happens, you’ll be in the same boat as those folks who were tasked with adding on the additional floors to an already leaning structure:  you’ll have to get creative.  And chances are, no matter how creative you get . . . you’ll never be able to fix the original problem.

So the lesson–the paint related lesson, the life-related lesson is this:  start with a good foundation.  Use the right tools, take the time necessary and start on the right foot.  Use primer when you should.  Wash the surfaces when it’s recommended.  Do a light sanding when you’re in doubt.  Doing these things will take more time, but they’ll save you grief down the road.  Think about it!  And call us with any questions!

Decorating Kids’ Rooms: They’re Only Young Once!

bigstock-Super-hero-flying-some-motion-64086529There are few places in your home where you can really cut loose and have a good time with color as much as you can in a kids’ room. When it’s your bathroom or your living room or a dining room we all tend to be a little more cautious.  We don’t want to go nuts and create something on the walls that will drive us crazy or overpower our other decorating.

However, in a kids’ room, we really don’t have to worry about those things.  Because really, with rooms for children, the crazier and more bold you go with your color choices, the more people will think you’re a really cool parent!

It’s amazing how it works:  do that crazy stuff in your living room and folks think you’re “over the top” or “gaudy.”  Put some bold colors in a kids’ room and suddenly, you’re “Hip Parent of the Year.”

And really, it’s a “win-win” proposition.  Sure, other people will think it’s great and fun and amazing–but really, is that all that important?  No, the real benefit will come from the fact that your kids will gain so much from a project like this. They’ll be excited about the new look, excited about the colors you’ve brought it, and you’ll give them a place of their own–a place that looks completely untouched by the boring, drab world of adults.

Sure, it’s not terribly easy to reconcile yourself with the thought of moving from nice, neutral earthtones into something bold and wild . . . but your kids will thank you for it.  And honestly, remember this:  they’re only young once!  Have fun with it while you can!

Painting Metal Roofs: Some Do’s and Don’ts

bigstock-roofer-builder-worker-with-pul-52436509_smallerEvery summer, we talk to a number of folks in our stores who are curious about the right way to paint an old, rusting metal roof.  They want to know what types of products to use, they want to know the steps involved, they want to know what cleaners they should purchase (and also, at least a little bit, they’re wanting us to tell them that the surface is unpaintable and should just be left as is).

Well, sadly, for many of these folks, we don’t tell them to leave it as is.  You just can’t do that.  Metal roofs, when they exhibit signs of rust, need to be painted in order to be protected.  Failing to protect and coat them properly will lead to larger and more expensive (and, of course, painful) failure down the road.

So, let’s cut to the chase:  if you’ve got an old metal roof that needs to be painted, here’s what you need to do and what you should use:

Supplies:

Wire Brush or a wire wheel on an angle grinder.
TSP cleaner
Power Washer
Rollers, Brushes, etc.
Met’l Clad 449 Rust Inhibitive Metal Primer
Met’l Clad or Glo-Enamel oil base topcoat in desired color
Ladders/scaffolding as needed
Scrub brush

Steps:

Wire brush or grind as much of the loose, flaking rust off the roof as possible.  This is a critical key to the success of your project, so take the time necessary to do this part right.

Once the rust is removed, it’s best to still wash the roof down to remove any grease, grime, or contaminant that might be there.  Apply TSP (mixed according to directions on label) and scrub with the scrub brush.  (And this probably doesn’t need to be said, but BE CAREFUL.  A wet roof is obviously extremely slippery and potentially hazardous–so do as much of the cleaning as possible from a scaffold or a ladder.)  Once you’ve scrubbed the roof, rinse it off well with a power washer and allow it to dry.

After the roof has dried, simply apply the 449 Met’l Clad primer using a brush, roller or spray.  Allow this product to dry for at least 24 hours.

Once the primer coat has dried, we recommend that you apply two coats of your oil-based finish paint–whether it’s the Met’l Clad or the Glo-Enamel.  Products should have about 24 hours between coats.

Tips:

Start early in the day and quit when the roof gets too hot to work on.  Working on a roof when it’s extremely hot can be tough on you . . . and tough on the paint you’re trying to apply.

Exercise extreme caution.  Whenever working at heights of any level, remember to take things slowly and take nothing for granted.  One slip or missed footing can result in months and months of recovery time!  So be careful!

While Latex paints are absolutely perfect for the sides of metal buildings, they’re not quite as durable for the roof.  Remember, a roof doesn’t have just the sun to deal with:  it’s pelted with driving rain and is subjected to Michigan winters and piled up snow.  All of these things will damage a Latex paint quicker than they will an oil.  So, for your metal roofs, stick to oil!

The Little Old Man Who Blended In

Happy Old ManOK, years ago, I was working at the Lakewood RepcoLite and a lady came in with her husband. She pulled him–nearly dragged him–to the color chip rack and started holding up color chips to his face.

Well, this isn’t something we usually see and so I watched for a second, trying to figure out what was going on. One after another, she’d hold up a chip and then look at it, squint, turn her head from side to side and then toss the chip aside in disgust. Over and over.

I watched for a few seconds, still completely confused about what was happening, and then I walked over and asked if I could help.

Well, the little old man kind of put his head down like he was embarrassed, and his wife launched into a long explanation. And slowly, as I listened, things started to make sense. On a very limited scale–but still, at least I understood what was happening.

See, apparently, this poor little old man had just had his study at home remodelled and repainted. And unfortunately, the new paint blended in perfectly with . . . him. Yes. I’m not making any of this up. The paint blended in so well with the little old man that his wife told me she could never tell if he was sitting at his desk or not. He simply blended away into the wall color.

Well, I listened to her and then looked at the little old man. I think he was doing his best to blend in with the color behind him right then.

But the woman wasn’t done yet. She carried on with her story and concluded by telling me that she needed to find a color that accented him–a color that complimented and coordinated with her husband without blending in with him. And then, she dropped the big pressure bomb on me. She said, “That’s why I came to RepcoLite. Because I want the right color.”

Well, suddenly at that point, I was thrust into a much more complicated scenario than I’d previously realized. I had to find a color that would look great with a little old man. I had to stand in the store and hold color chips up to his little, wrinkled, humiliated face. Do you know how embarrassing that is? How awkward?  For both of us?

But regardless of all of that, I persevered. I asked questions I couldn’t believe I was asking. I asked him what color clothes he usually wears. I leaned in close and tried to determine his eye color. I wanted to ask if he was always this pale or if it was because he was just nervous. But before I could ask, his wife told me. “He’s not always this pale. He’s just nervous.” Then she hit his arm and told him to stop being nervous and start coloring up to his normal tone. “Or else,” she continued “we’re going to have the same problem as before–the color won’t be right.”

Well, we worked on it for a while and finally, I ended up just custom matching a color. We sent them on their way and I waited. I didn’t have long to wait. About a day or so later, I got a phone call from the woman. She was ecstatic. She told he that her husband was sitting at his desk right now–and that she could see him sitting there from the other room. All because the color of the wall behind him was perfect. It brought out the color of his eyes without blending too perfectly with his skin. She thanked me profusely and hung up happy.

And all that to answer some common questions folks have: namely, how do I get the right color? How do I know what is the right color? What can I bring in for a color match?

The answer to all of these questions is simple. You get the right color by coming to RepcoLite. You know what the right color is by talking with our color experts and letting them help you. And, in answer to “what can I bring in for a color match?” . . . well, I’d like to ask you to surprise us. We’ve matched cups of dirt, a handfull of leaves, flower petals, dining room chairs, magazine photos, sectionals from public restrooms, toilet seats and one embarassed little old man. See if you can come up with something crazier–we love the challenge and it always makes for a great story.